The work emerged from an intuitive process in which welding became closer to painting and drawing than to the traditional technique of joining metal. The welding torch served as a tool for freely tracing lines and building a composition without a predetermined plan. Successive gestures, accumulations, burns, and traces of molten metal formed a kind of three-dimensional drawing on the surface of the steel sheet.

The resulting forms evoke growing tissues, nervous systems, and unfamiliar biological structures. Rather than directly imitating nature, their character emerges from the creative process itself, guided by intuition, chance, and responses to the properties of the material. The work explores biomimicry and the relationship between organism and machine. Industrial technology becomes a means of creating forms that suggest spontaneous growth, while steel, traditionally associated with strength and durability, becomes a record of gestures, tensions, and unpredictable transformations.

Scars also reflects on the condition of contemporary life under constant pressure. Its seemingly resilient surface bears the marks of the forces to which it has been subjected.