The work employs the strategy of found footage, using archival material from NASA, as a tool for deconstructing the heroic narrative of space conquest.

Through the montage of archival shots of falls—of bodies, figures, and gestures—the artist creates an alternative version of a moment regarded in human history as the pinnacle of technological achievement: the Moon landing. Instead of a linear story of progress, we are presented with a repetitive structure of malfunction and stumble. The successive images—often banal, humorous, sometimes painful—form a visual essay on failure as a constitutive element of the human experience. The work reverses the logic of the archive: it does not serve to document success, but to continuously negate it. The video becomes a reflection on the status of the documentary image, the tension between memory and construction, and the way Western culture stages its moments of glory.